Three Musicians

Date of Sketch: August 20, 2004

At a prelude concert before the evening program the players had the kind of presence I ordinarily associate only with buildings. Thus each musician is characterized by their imagined architectural form. From top to bottom: Sheila Fiekowsky Violin; Garrick Ohlsson Piano; Martha Babcock Cello.

Bach Hall, Leipzig

Date of Sketch: August 21, 2010

In 1980 I met Sheila Fiekowsky, a violinist, and was drawn into her world of music - that of the Boston Symphony Orchestra.  In 1983, I began making sketches in Symphony programs before the orchestra began to play.  Later, the sketches became part of my listening.

Each week I have looked forward to listening and drawing what I hear (and see in my mind’s eye.)  I think the best sketches are those which are drawn from the music alone.  Sometimes the music is in the background when I’m thinking about an actual design problem, but that rarely produces the best sketch. 

A 37 Story Building

Date of Sketch: January 31, 1998

Music and architecture seem to have an inverse relationship. They are often described in each other's terms. One is weightless; the other is material. Each has qualities of the other. Music has size, color, form. Architecture is rhythmic, poetic, lyrical.

Architect Erich Mendelsohn sketched buildings to music, referring to his sketches as "musical compositions".